Wednesday, April 1, 2026

Chris

Treasure, The (2015)?

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Title: The Treasure (aka. Comoara)
Rating: NR
Directed by: Corneliu Porumboiu
Written by: Corneliu Porumboiu
Starring: Toma Cuzin, Adrian Purcarescu and Corneliu Cozmei
Release Date: 1/8/2016
Running Time: 89 minutes

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Costi is a family man whose cash-strapped neighbor makes him an intriguing proposition: help him find the fortune reportedly buried somewhere on the grounds of his family’s country home in Romania and split the profits.


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Lamb (2015)?

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Title: Lamb
Rating: NR
Directed by: Ross Partridge
Written by: Ross Partridge
Based on the novel by: Bonnie Nadzam
Starring: Ross Partridge, Oona Laurence and Jess Weixler
Release Date: 1/8/2016
Running Time: 96 minutes

IMDb

When a man meets a young girl in a parking lot he attempts to help her avoid a bleak destiny by initiating her into the beauty of the outside world. The journey shakes them in ways neither expects.


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Yosemite (2015)?

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Title: Yosemite
Rating: R
Directed by: Gabrielle Demeestere
Written by: Gabrielle Demeestere
Based on the book by: James Franco
Starring: James Franco, Everett Meckler and Alec Mansky
Release Date: 1/1/2016
Running Time: 80 minutes

Official Site
IMDb

It’s the fall of 1985. The intertwining tales of three 5th grade friends, Chris, Joe and Ted, unfold in the suburban paradise of Palo Alto, as the threat of a mountain lion looms over the community.


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Ridiculous 6, The (2015)*

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Title: The Ridiculous 6
Rating: NR
Directed by: Frank Coraci
Written by: Tim Herlihy and Adam Sandler
Starring: Adam Sandler, Terry Crews, Jorge Garcia, Taylor Lautner, Rob Schneider, Luke Wilson, Will Forte, Steve Zahn, Harvey Keitel, Nick Nolte, Jon Lovitz, Whitney Cummings, David Spade, Danny Trejo and Nick Swardson
Release Date: 12/11/2015/strong>
Running Time: 119 minutes

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An outlaw who was raised by Native Americans discovers that he has five half-brothers; together the men go on a mission to find their wayward, deadbeat dad.


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after the credits
We are back at the first baseball game with Doubleday and the Chinese team cheers on the Stockburns.
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Special thanks to Ray O. for this submission


Joy Review – 4.5 out of 5 Stars

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David O. Russell is a very divisive filmmaker. For every person like me who considered American Hustle this brilliant, energetic experience, there was someone who found the movie sloppy, arrogant and generic. These people aren’t necessarily wrong but his latest movie Joy (seemingly his most polarizing movie to date) made me realize something. I love David O. Russell’s direction for a lot of the reasons people hate him. Joy isn’t as outstanding as Silver Linings Playbook or American Hustle, but it has David O. Russell doing everything he does best and he still delivers one hell of a movie. Joy is a clever and ambitious glimpse into a low income, single mother’s determination to follow her dreams and rise to the top in late 20th century America.

Joy Mangano (Jennifer Lawrence) is a brilliant, imaginative young woman living a nightmarish life in New York in the late 1980’s. Her dreams of inventing things were put on hold for a variety of reasons. Her divorced mother (Virginia Madsen) and father (Robert De Niro) both live in her house and she constantly has to take care of them. Her marriage with a failed singer named Tony (Édgar Ramírez) led to two kids and a separation and now her ex-husband and there kids also live in this house. And I haven’t even mentioned her awful job at an airport where she isn’t respected by her boss or the customers. This endless chaos has seemingly put an end to the hopes she had when she was just a little girl. But a random accident and a bad dream leads to Joy creating an exciting new product called the Miracle Mop. Using only her smarts and her invention, she must battle a storm of issues including a psychotic step sister, a corrupt building company and Neil Walker (Bradley Cooper), the arrogant head of the QVC network which ends up making her product famous.

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One of the things I love about David O. Russell is how much liveliness there is to his storytelling. American Hustle is a movie where something is always happening and you have to be alert the entire time to learn more about the characters and follow the story. There’s an eccentricity and a confidence to it that you don’t see in a lot of writers these days. With Joy, he brings his form of storytelling to even louder and more intense levels. People might complain that its story is sloppy and noisy and unpleasant. To this criticism I have to say, well yeah…that’s the point.
Joy is supposed to be drowning in her life. She has to deal with all of these problems and she never gets any moments of alone time or peace of mind. Jennifer Lawrence’s excellent performance gives us a woman with a confident exterior who is secretly dying inside. There’s a terrific moment when she’s fighting with Tony and there’s a split second where you can see her rise to level of horror and panic that she rarely shows. When she creates the Miracle Mop, she has even more issues to deal with and it’s only when she has successfully made sure that her product is safe that she can finally rest.

Joy is a claustrophobic, chaotic experience because it’s meant to play as an escape story. But it’s not an escape story like Gravity where an astronaut must escape certain death in space, it’s about the escape of a single mother from the expectations and the limits society has put around her for her entire life. Her father puts down everything she does and her mother wastes her life away watching soap operas on her TV. Neil talks down to her and doesn’t respect the work she puts into the things she does. The movie traps you into this awful life she leads and you feel her desperation and the loud, unstoppable noise she has to live with. This makes you want to see her get out and break free and become her own person. The uneasiness you feel in her suburban life makes it’s that much more rewarding when you see her end up conquering her fears. That’s why the movie is quick and feels like all of these sub-plots are just about to fall in on each other.

My favorite moment in the movie comes near the end of the story when it looks like Joy has finally broken through with The Miracle Mop. She walks down the sidewalk and comes across this small toy shop. She doesn’t go inside but she looks into it through a window. Inside she sees this model train set that seems to contain the ideal, perfect little neighborhood. She also notices that inside this toy store is a happy family with two loving parents and a young girl. She can’t reach out and touch these things because again, it’s blocked by a window. And then she stops looking into the toy story and she looks up and sees a machine on top of her that creates artificial snow. As she looks up, the snow from this machine reaches her face and she seems to be completely calm.

It seems like such a random moment but I think it beautifully summarizes an important message in the film. Joy can’t have that perfect, ordinary life that’s in the window. She doesn’t have ordinary parents, an ordinary marriage or an ordinary neighborhood to live in. This lifestyle will always be out of reach for her. But yet, maybe what she has is even better. The comfort she has is from something that she made. Her peace of mind can come from the fact that she has done something with her life that has affected a lot of people and made her a very powerful person. In the end, Joy’s moment of clarity comes from the power of human ingenuity rather than the dependence of the perfect ordinary family inside the toy store. The anger, the frustration with her family will always be a problem for her but it doesn’t have to be something that bothers her and it doesn’t have to be something that she has to seek the approval of anymore. She can give her own children a different life that’s free from the hardships she herself faced. Joy is a movie about becoming something that no one ever believed in or supported besides you.

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All of the other lovely things you would expect from David O. Russell also make an appearance here. The movie has an amazing cast and Russell once again proves himself as perhaps being the best director working today when it comes to getting great performances out of his actors. As I already mentioned, Lawrence is wonderful as Joy and she gives her best performance here since Silver Linings Playbook. Robert De Niro, Edgar Ramirez and Bradley Cooper all make their characters very entertaining and memorable. Elisabeth Röhm is also playing a great villain in the few scenes she’s in as Joy’s manipulative step-sister who’s always resentful of what Joy has been able to accomplish. Other than Lawrence, I think the big stand out here would probably be Diane Ladd as Joy’s grandmother. Through thick and thin, she seems to be one of the few people who is always on Joy’s side and her narration in the film carries a lot of weight and significance.

The production design and costume design do a great job of bringing you back to that time in the late 80’s to early 90’s, especially in the scenes that take place at the QVC network. The cinematography is beautiful and Russell brings to Joy the grainy, 70’s look that also made American Hustle look stunning and unique. The visuals in his films always remind me of what you would expect in an old Altman or Scorsese movie. And at this point, it seems unnecessary to point how excellent the soundtracks are in his films. There’s a moment in the movie where Joy faces a tragic event in her family and the song Expecting to Fly by Buffalo Springfield is used perfectly. David O. Russell is an extremely confident director and no matter what movie you watch from him, you know that you’re going to get this beautiful looking world that contains a distinct voice. When you watch one of his movies, you know that you will be getting something that looks like someone has put their blood, sweat and tears into it. That’s a surprising rarity with recent dramas like Spotlight that really could’ve been directed by anyone.

More than American Hustle or Silver Linings Playbook, I can understand why people wouldn’t like this movie. The way the story is told is very bizarre and some of the characters could use a bit more development like her best friend/ex-husband Tony or Joy’s kids. But for all of its flaws and scratches, I unapologetically adored Joy. The film is incredibly made, excellently acted and it has one of the strongest character arcs of the year in its title character. The movie celebrates a woman who escapes from the certainty and the ugliness of her life to find a bright future in her own dreams and ideas. The cuts and the frantic nature of this world is what makes it human and David O. Russell has a clear talent for making situations and characters that feel alive and kicking. When we get to the last scene of Joy walking down the street with her shades on with seemingly endless confidence on her face, it makes you want to burst from your seat in well…joy.

Rating:[star rating=”4.5″ numeric=”yes”]

Review by: Ryan M.

Release Date: 12/25/2015

Rating: PG-13

Cast: Jennifer Lawrence, Robert De Niro, Bradley Cooper, Édgar Ramírez, Diane Ladd, Virginia Madsen, Isabella Rossellini, Dascha Polanco, Elisabeth Röhm and Susan Lucci

Directed by: David O. Russell

Screenplay by: David O. Russell and Annie Mumolo

Himalayas, The (2015)

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Title: The Himalayas
Rating: NR
Directed by: Seok-hoon Lee
Starring: Jeong-min Hwang, Sung-ha Jo and Woo Jung
Release Date: 1/1/2016
Running Time: 125 minutes

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Based on true events, renowned mountaineer UM Hong-gil sets out on a mission to Everest to retrieve his late junior climber’s body and faces the greatest challenge of his life.


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Special thanks to Frank S. for this submission


Knight of Cups (2015)

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Title: Knight of Cups
Rating: R
Directed by: Terrence Malick
Written by: Terrence Malick
Starring: Christian Bale, Cate Blanchett and Natalie Portman
Release Date: 3/4/2016
Running Time: 118 minutes

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A screenwriter living in LA tries to make sense of the strange events occurring around him.


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During Credits? No

After Credits? No

Special thanks to Frank S. for this submission


Star Wars: The Force Awakens Review – 3.5 out of 5 Stars

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In Star Wars: The Force Awakens, Luke Skywalker (Mark Hamill) is missing and a new government run by the dark side has taken power. General Leia (Carrie Fisher) sends the rebel pilot Poe Dameron (Oscar Isaac) to retrieve information that could lead to his whereabouts. Elsewhere, a disillusioned storm trooper named Finn (John Boyega) tries to escape from his life and a badass scavenger named Rey (Daisy Ridley) finds a robot that leads to a heap of trouble. When Finn and Rey unite, they meet friends like the aging Han Solo (Harrison Ford) and foes like the mysterious Kylo Ren (Adam Driver).

At this point, it feels a bit anticlimactic to be reviewing The Force Awakens. Everyone who’s reading this has probably seen it already and I doubt this review will be influencing anyone from seeing or not seeing this movie. It’s too soon to say whether The Force Awakens will be able to stand the test of time like A New Hope or The Empire Strikes Back but I can definitely say one thing; Star Wars: The Force Awakens is a film made for the fans. However you feel about that statement will probably decide how much you love this movie. Personally, I feel a bit for both sides.

This sounds like a mixed reaction but there are a lot of things to admire. For starters, this is a terrific looking movie. I had issues with J.J. Abrams that I’ll get to later but I still think this is his most well directed film to date. Say what you will about the story, this is a movie that feels huge. Abrams understands how important this movie is for many people and he uses the occasion to present the world in a way that feels larger than life. One of the things that people disliked about The Phantom Menace was how lackluster the experience of being in another Star Wars felt. In the Force Awakens, the world is captured through these sweeping, giant shots and possibly the best visuals effects in the franchise to date. Everything about how this movie looks and sounds is top notch. The cinematography is stunning, the production design is marvelous and the costumes and the makeup are perfect. The thing I loved most about The Force Awakens was the time spent just looking at these places that they created. The movie is well paced and it never feels boring or disinteresting. I could go on for hours about the music by John Williams. As much as I love some of his work with Spielberg, it’s refreshing to watch him step away from the more melodramatic, manipulative music he’s done in recent years. The score here is a mix of some of the older, more notable bits of music from Star Wars as well as some new works. It’s exciting and it captures a lot of the magic of the original soundtrack.

The technical aspects are the areas where pleasing the fans was beneficial to the final product. Abrams has created a movie that reassures fans that there’s still some magic left in that world they fell in love with while growing up. There’s wonder, there’s life here that Lucas didn’t bring to the prequels. You feel excited and in awe of these planets and creatures in a way that couldn’t me mustered from The Phantom Menace.

If the looks and the sounds of the movie are where it excels, the screenplay is where the movie gets dragged down a little bit. It’s not a horrendous screenplay tied to a great filmmaker like Sicario or It Follows but there’s a lot of things about it that feel somewhat repetitive or simplistic. So what did I enjoy about it? Firstly, I liked the way it handled the characters from the previous movies. It was a brilliant move on their part to make the hero from the original movies go missing. The disappearance of Luke Skywalker shows the audience that time has changed and that there are new heroes to find with the old ones like Luke serving as the wise, old trainers reminiscent of Yoda or Obi-Wan Kenobi. The relationship between Han and Leia is also a bittersweet highlight. They haven’t seen each other for several years but they don’t seem angry or upset after meeting again after all this time. They acknowledge that what they once had was lost but they seem to know that deep down, they’re still in love. It’s subtle and sweet in a way that was missing from the similar relationship between Jones and Marion in Kingdom of the Crystal Skull. Han Solo also gets some charming scenes with his friend Chewbacca and Harrison Ford gives one of his more energetic performances in a while.

I also enjoyed the villain Kylo Ren because he succeeded in doing in 20 to 30 minutes of screen time what Anakin Skywalker couldn’t do in 3 movies. Both are confused, less prepared young men that begin to move towards the dark side. It works mainly because Adam Driver is a significantly better actor than Hayden Christensen but it also works because the movie manages to make Ren intimidating and weak at the same time whereas Skywalker was just plain whiny and pathetic in the prequels. He’s scared and inexperienced but he ends up making decisions that are legitimately twisted and evil. And while Skywalker’s final transformation came in the form of an overlong fight, Ren’s final choice for the dark sides comes in the form of a shocking, quick scene that will leave a far bigger impact than the entire 5 or 6 hours of Anakin’s character arc.

To a lesser extent, I admired the new heroes like Finn and Po. Finn is this emotionally damaged storm trooper who decides to rebel against what everyone else is doing. There are a lot of fascinating places you could take this character and I’m interested to see how he transitions to the real world or if he will try to free the other storm troopers in the later films. As it stands, they don’t really manage to explore many of these things but Boyega’s performance as well as good writing set up what could be potentially the most interesting arc of the three new main characters. Po also starts off strong in the movie due to the acting of Oscar Issac and the friendship he creates with Po is fun to watch. After the first act, he disappears from the movie for longtime and then shows up again near the end. It’s an entertaining character that I assume they’ll do more with in the next movie.

The problems I had with this movies script could probably be summarized with the character of Rey. She does cool things and she has some potential, but there are not a lot of things that she’s doing that feel new or memorable. She’s likable and you know she’s important but they write her with such little creativity that you can’t help but feel that she was forgettable. As much as I enjoyed many things about this movie, there’s a lot here that will please the fans but probably won’t please moviegoers who want new or original ideas. Everything that’s great about this movie is either a retread or a follow up of previous movies. The things I liked that did feel new felt pushed aside for something that’s a lot more repetitive and safe. The new evil government feels just like the old one. The big bad creature Ren looks up to is very similar to emperor Palpatine and there big bad plan here is to literally make an even bigger version of the death star, I think you can guess how that works out for them.

Besides that, there’s just a lot of beats in this movie that felt added because they had to be there. There has to be a point where the protagonist is reluctant to become the hero even though she hasn’t shown reluctance before said point. There has to be a scene where the old mentor gets killed by the bad guy. If the direction embraces Star Wars just right, the writing embraces Star Wars a bit too much. The movie goes over a lot of the same territory it has in the past whether you’re talking about the characters or just simple clichés. Creed also had a lot of elements in its story that came from older Rocky films but that movie also had a lot of things in it that were fresh and ambitious. The new things in the new Star Wars are either pushed aside for the old or end up being just blatant copies of the past. This isn’t a complaint that destroys The Force Awakens for me but it is a complaint that covers the entire film. I can only hope that the next movie will expand on the new stuff more and will try to make more of its own thing in the future.

So hopefully you know what I now mean when I say that “a film for the fans” is a mixed compliment. J.J. Abrams creates an amazing world that reminds you of everything you loved about Star Wars with stirring music and magical visual effects. But he takes the nostalgia a bit too far and he creates a story that’s extremely reminiscent of previous movies for better or worse. We get a lot of great moments with older characters but we also get a lot of cool, new things that get overshadowed by repackaged storylines. Either way, The Force Awakens is still a fine enough start and it’s fun enough as a big, blockbuster action film to go see this holiday season. The real Star Wars film that I’m looking forward to is the one that’s coming up next that’s directed by Rian Johnson. It seems fitting that they are handing over this franchise to the man who has made arguably the best science fiction movie of the decade so far.

Rating:[star rating=”3.5″ numeric=”yes”]

Review by: Ryan M.

Release Date: 12/18/2015

Rating: PG-13

Cast: Harrison Ford, Mark Hamill, Carrie Fisher, Daisy Ridley, John Boyega, Adam Driver, Oscar Isaac, Domhnall Gleeson, Gwendoline Christie, Peter Mayhew, Simon Pegg, Andy Serkis, Kenny Baker, Anthony Daniels, Lupita Nyong’o, Warwick Davis, Max von Sydow, Maisie Richardson-Sellers and Tim Rose

Directed by: J.J. Abrams

Screenplay by: Lawrence Kasdan, J.J. Abrams and Michael Arndt

Based characters created by: George Lucas

Joy (2015)

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Title: Joy
Rating: PG-13
Directed by: David O. Russell
Written by: David O. Russell and Annie Mumolo
Starring: Jennifer Lawrence, Robert De Niro, Bradley Cooper, Édgar Ramírez and Diane Ladd
Release Date: 12/25/2015
Running Time: 124 minutes

Official Site
IMDb

Joy is the story of a family across four generations and the woman who rises to become founder and matriarch of a powerful family business dynasty.


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During Credits? No

After Credits? No

Memoriam: In Loving Memory of Burton Brand, M.D. 1925 – 2015, Bertil Sandgren 1942 – 2015 and Sharon Baumgarten Maifeld 1959 – 2015


Concussion (2015)

Will Smith stars in Columbia Pictures' "Concussion."

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Title: Concussion
Rating: PG-13
Directed by: Peter Landesman
Written by: Peter Landesman
Starring: Will Smith, Alec Baldwin and Albert Brooks
Release Date: 12/25/2015
Running Time: 123 minutes

Official Site
IMDb

In Pittsburgh, accomplished pathologist Dr. Bennet Omalu uncovers the truth about brain damage in football players who suffer repeated concussions in the course of normal play.


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During Credits? No

After Credits? No