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Tag: Adventure

Antarctica: A Year on Ice (2013)*

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TITLE: Antarctica: A Year on Ice

RELEASE DATE: 11/28/2014

RATING: PG

A visually stunning chronicle of what it is like to live in Antarctica for a full year, including winters isolated from the rest of the world, and enduring months of darkness in the coldest place on Earth.

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Penguins of Madagascar (2014)*

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TITLE: Penguins of Madagascar (aka. Penguins of Madagascar 3D)

RELEASE DATE: 11/26/2014

RATING: PG

Skipper, Kowalski, Rico and Private join forces with undercover organization The North Wind to stop the villainous Dr. Octavius Brine from destroying the world as we know it.

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Hunger Games: Mockingjay – Part 1, The (2014)*

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TITLE: The Hunger Games: Mockingjay – Part 1

RELEASE DATE: 11/21/2014

RATING: PG-13

When Katniss destroys the games, she goes to District 13 after District 12 is destroyed. She meets President Coin who convinces her to be the symbol of rebellion, while trying to save Peeta from the Capitol.

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In Memoriam: In Loving Memory of Philip Seymour Hoffman.

Interstellar (2014)

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TITLE: Interstellar (aka. Interstellar: IMAX)

RELEASE DATE: 11/7/2014

RATING: PG-13

A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

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During Credits? No

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Special thanks to Frank S. for this submission

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Interstellar Review – 4 out of 5 Stars

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Interstellar feels like one of those movies that’s going to get a distinct fan base over time. It certainly has people who hate it and people who love it. I think though that overtime most people will come to respect Interstellar for the beautiful, ambitious vision that it is. I actually kind of loved this movie, flaws and all, for its scope in writing and visuals. So much happens on this near three hour ride that you have to at least see it to believe it.

In the future, drought and dust storms are making it impossible to survive on earth. Cooper (Matthew McConaughey), a former NASA pilot is recruited to go on a mission to find new planets that humanity can live on. To do this mission, he will hold on to the love of his daughter (Jessica Chastain) and son (Casey Affleck) and will go through many life or death struggles.

Regardless of how successful the end product is to you, you have to admit the concepts and ideas presented here are incredible especially for a big budget blockbuster. There is so much in the story that has to do with fascinating concepts like wormholes, new planets, gravity that it seems like something that deserves to be rewatched and paid attention to for the things it tries to get across. You can tell that director and writer Christopher Nolan spent years working on every detail of the story and because of that there are points where my breath was taken away how many levels and ambition there was to what he is attempting to achieve here. He takes all of these different things and he brings them to life with visual effects. Interstellar becomes not just a testament to the advances of modern cinema but also a testament to the advances in science and technology. With these things, Nolan creates a world that is entirely believable and filled with fascinating points that feel daring, intelligent and exciting. For 2 hours and 45 minutes, we are on a journey of discovery that all feels oddly realistic thanks to Christopher Nolan’s passion for modern advances.

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The core of the movie was definitely between Cooper and his daughter. They are both extremely intelligent and imaginative and they have a clear love for each other. When Cooper leaves earth, despite there being world changing things going on, the real thing you care about is whether they will be able to see each other. While Cooper is finding a new planet, his daughter Murphy is looking for the answer to an equation that could help bring humanity beyond as well. Both are millions upon millions of miles apart and are fighting in different dimensions but the love they have for each other is so huge that it not only survives over decades but manages to become the key to saving the human species. There love is so powerful that they both are big forces in each other’s lives even when they can’t see or communicate to the other. The climax is actually Cooper becoming a massive presence covering and protecting Murphy even when he can’t be there with her. The people who are the villains in the movie are those who are lost and alone, those who have given up in the survival of humanity or the good that we can do. And yes, our love and need to nurture can get in the way at many times but in the end, it will be the thing that will keep us moving and it will be our compassion that allows to survive continuously. Many will complain that Interstellar is a movie of ideas without character or heart. On the contrary, this is a movie of ambitious ideas and a fascinating, new view of the world and all of this comes back to people and our deep love for each other. It’s this simple, heartfelt, beautiful message that makes Interstellar so amazing to me. This is a piece of science fiction that manages to be both layered with ambitious things and driven by a large amount of human warmth.

Do I even have to tell you how the movie is technically? The visual effects are the work of a master artist; there is a beautiful, vision to them and the way that they are used that hasn’t been seen in a very long time. Here, visual effects are more than just a cool gimmick; it’s a filmmaker’s way to show us bold, new ideas that haven’t been seen before on film, at least on this scope. Hans Zimmer’s soundtrack is dreamlike and it creates a mysterious, moving atmosphere that surrounds a lot of scenes, it’s filled with emotions and feelings that make it feel alive. The editing is fantastic, I was never bored and it did a decent enough job going over a lot of things in a story that could probably be stretched to a ten part mini-series.

Matthew McConaughey’s performance is amazing here as Cooper. With a lesser actor, Cooper could’ve just proved a prop to move the story forward. McConaughey’s performance here is what makes Interstellar feel sincere and touching. He gives this movie the human aspect and he had me pretty close to tearing up in a lot of scenes. You can feel the complete love that he has for his daughter and it’s the thing that drives him to change the world, it’s very personal and raw and it might be my favorite Nolan performance since Ledger in The Dark Knight. Jessica Chastain is great Murphy, Cooper’s daughter. Chastain is one of the most capable actresses working in film today and here she gets a lot of scenes to show how talented she really is. It’s the great performances of her and McConaughey that creates the beautiful, universal relationship between father and daughter that becomes the heart of the movie. Anne Hathaway is very likable in the role, I though Matt Damon was successfully creepy, Casey Affleck as always is awesome and for his first real breakthrough role, David Gyasi did great work as one of the scientists aboard the spaceship. This is one of the most impressive casts of the year and Nolan uses it to bring humanity to this very concept heavy movie.

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I’m not going to come here and tell you that this is a perfect movie. There are a lot of times where you can probably ask about plot holes and if you wanted to you could nitpick this movie until there’s nothing left. But if you were to do that you would have to disregard all of the work that went into the screenplay, the direction, the themes and the cast. I’m not asking you to turn off your brain but I am asking you to consider the boundaries Nolan attempted or even succeeded at breaking to give you this movie. There are so many things you can dissect and explore factually and thematically and even if it doesn’t all come apart and sometimes it’s a bit rushed, so what? You’re still paying to see something that is challenging and clearly meaningful to everybody who was working on it.

Interstellar is the most ambitious movie so far in 2014 and it’s one of the first true spectacles we’ve gotten all year. This is something that deserves to be watched on the biggest theater screen possible. The cast is great, the scientific concepts are used ingeniously and the themes Nolan gets across here are satisfying and moving. Much like the characters in its movie, Interstellar attempts to accomplish big things and take you on a journey like no other out right now.

Rating:(4/5)

Review by: Ryan M.

Release Date: 4/4/2014

Rating: PG-13

Cast: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Casey Affleck, Mackenzie Foy, John Lithgow, Bill Irwin, Michael Caine, Topher Grace and Matt Damon

Directed by: Christopher Nolan

Screenplay by: Jonathan Nolan and Christopher Nolan

On Any Sunday: The Next Chapter (2014)*

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TITLE: On Any Sunday: The Next Chapter

RELEASE DATE: 11/7/2014

RATING: PG

Inspired by Bruce Brown’s 1971 documentary, “On Any Sunday,” chronicles the international sport of motorcycle racing.

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Memoriam: In memory of Kurt Caselli (1983 – 2013)

Dinosaur 13 (2014)*

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TITLE: Dinosaur 13

RELEASE DATE: 8/15/2014

RATING: PG

A documentary about the discovery of the largest Tyrannosaurus Rex fossil ever found.

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Special thanks to Frank S. for this submission

Book of Life, The (2014)

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Title: The Book of Life (aka. The Book of Life 3D)
Rating: PG
Director: Jorge R. Gutiérrez
Writer: Jorge R. Gutiérrez and Douglas Langdale
Stars: Diego Luna, Zoe Saldana, Channing Tatum, Ron Perlman, Christina Applegate and Ice Cube
Release Date: 10/17/2014
Running Time: 95 minutes

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Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart, embarks on an adventure that spans three fantastic worlds where he must face his greatest fears.


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NOTE: We see stylized 2D animations of the characters playing during the credits. We also see the words: “Keep friendship alive!” – Ava Marie Peterson

Dedication: Dedicada a mi amigo Mauricio, mi abuelo Luis y al Dr. Jeronimo Equihua. Nunca los olvidare. – Jorge

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Bang Bang (2014)*

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TITLE: Bang Bang

RELEASE DATE: 10/2/2014

RATING: NR

A young bank receptionist gets mixed up with Rajveer Nanda, a man who has a mysterious background.

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Special thanks to Frank S. for this submission

The Boxtrolls Review – 4 out of 5 Stars

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This isn’t the first time I’ve given high amounts of praise to the animation studio Laika Entertainment. In my first year of reviewing, I named ParaNorman the fifth best movie of 2012, a feat that is especially impressive considering what a competitive year for film that was. It took on ambitious, challenging topics in a way that was original, bold and poignant and between the art style, the characters and the moving messages, it wasn’t just an example of everything animation or kid’s movies should be, it was an example of everything cinema should be. With The Boxtrolls, I don’t believe Laika captures something that is as good as ParaNorman, but I do think this movie is still great enough to signify that Laika isn’t just a flash in the pan and they are possibly the boldest group working in animation today.

In the town of Cheesebridge, a group of trolls that wear cardboard boxes live beneath the city while the upper class eat tons of cheeses and look down on everyone. After a baby is “stolen” by the boxtrolls, the town hires a madman to do the dirty work of capturing and exterminating them. However, the boxtrolls are really, very nice and the boy grows up like them and goes out into the world of above to prove to everyone with the help of an imaginative girl that the boxtrolls are not evil.

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The animation by Laika continues to be as incredible and brilliant as ever. The world they create for this movie is incredible; the absolute detail of every character, every house, and every sequence is an amazing work of art. Laika designs a place of storybook wonder that is easy to become taken into to. The 3D is beautiful and every second I was engaged because of how inventive and original the creation was. I can’t fathom the amount of work that went into the animation style and the hours spent on the movement and design of everything. Laika raises up how a picture can tell a thousand words, every moment of the film was bursting with the detail, emotion and ambition. There are large segments where they don’t talk and it truly works because the artists are so good at what they do that they can get across a lot of emotion and passion even while saying very little. And it’s not just incredible animation; the movie has an adventurous score by Dario Marianelli and the movie is extremely well paced, I was never bored but it also never felt rushed like The Lego Movie where it’s hard to get invested in what’s going on. This is one of my favorite forms of animation and The Boxtrolls might be one of the most stunning versions of this art form to date.

There is not a single voice actor who was bad. Ben Kingsley does a perfectly, creepy job of portraying Archibald, the villain of the story, a man who is willing to brutally murder a child to become a part of the higher ups. His character would rather die than not become accepted into the fancy, upper class he fantasizes over. For his first lead role, Isaac Hempstead Wright gives a very natural and impressive vocal performance as Eggs, the child protagonist of our story. I don’t think Eggs is a good a character as Norman but he is still a very likable person who you want to see succeed and his revelation of who he is in the final act serves as a great conclusion to a story arc. Richard Ayoade and Nick Frost are hilarious as Archibald’s two henchman and they do a really good job with some of the best lines of the whole movie. They got together a great cast to perform a set of very interesting and unique characters.

In some ways, I think The Boxtrolls has a really good screenplay. The movie is often hilarious in that sort of British humor way. There are a lot of cheese puns, a lot of wit and a surprisingly successful amount of satire. As I have stated above, the characters are all memorable in their own ways and they all has interesting, sympathetic story arcs.

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My main problem with the movie was pinpointing what it was trying to get across. I don’t ever feel as though any of what it was doing was done poorly and it wasn’t that it was rushed rather it was saying so much that it felt less like a clear, strong message and more like a lot of strong bits and pieces that don’t resemble much at the end. The movie never really seems to cling on to some meaning that resonates in a powerful way and it’s because of that sloppiness that I can’t say the movie lives up the expectations I had for it due to ParaNorman. That being said, the movies screenplay and art style feels so good that it still feels as though it’s very genuine despite. The Boxtrolls isn’t a train wreck so much as a well written and beautiful looking movie that never seems to fully figure out what is trying to accomplish. Even if the movie is a mess, it still feels very impressive to watch because of how creative and expressive everything is.

Regardless of message, this is the movie that they wanted to make and I feel like I just watched the full product of the artist’s imagination and in a world run by studios running the creative process, that’s very impressive and exciting to see. The Boxtrolls much like the other two Laika movies don’t speak down to its audience despite technically being kids’ movies; the movie trusts the intelligence of its audience and gives them something exciting and sometimes a little bit profound. It’s weird that this kid’s movie actually has more respect for its audience than some R rated movies I’ve seen. I think that’s the magic of The Boxtrolls and Laika itself, it’s a creative, meaningful world that transcends age. I can now confidently believe that Laika is replacing Pixar as the top tier of US animation.

It’s a little messy, but it’s more than worth it for the incredible animation, sharp humor, bold characters and pure ambition. The Boxtrolls is an exciting experience that will attach itself to everyone for different reasons. Something would have to go horrible for me to not at least respect the ways Laika is innovating animation.

Rating:(4/5)

Review by: Ryan M.

Release Date: 9/26/2014

Rating: PG

Cast: Ben Kingsley, Jared Harris, Nick Frost, Isaac Hempstead Wright and Elle Fanning

Directed by: Graham Annable and Anthony Stacchi

Screenplay by: Irena Brignull and Adam Pava

Based on the novel “Here Be Monsters!” by: Alan Snow

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