Thursday, November 21, 2024

Tag: Toby Kebbell

Bloodshot (2020)

Title: Bloodshot
Rating: PG-13
Directed by: Dave Wilson
Written by: Jeff Wadlow and Eric Heisserer
Starring: Vin Diesel, Eiza Gonzalez, Sam Heughan, Toby Kebbell, and Guy Pearce
Release Date: 3/13/2020
Running Time: 109 minutes

Official Site
IMDb

What did you think of this film?

Based on the bestselling comic book, Vin Diesel stars as Ray Garrison, a soldier recently killed in action and brought back to life as the superhero Bloodshot by the RST corporation. With an army of nanotechnology in his veins, he’s an unstoppable force –stronger than ever and able to heal instantly. But in controlling his body, the company has sway over his mind and memories, too. Now, Ray doesn’t know what’s real and what’s not – but he’s on a mission to find out.


Are There Any Extras During The Credits? No

Are There Any Extras After The Credits? No

Special thanks to Saran for this submission

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Hurricane Heist, The (2018)

Title: The Hurricane Heist
Rating: PG-13
Directed by: Rob Cohen
Written by: Carlos Davis, Jeff Dixon, Anthony Fingleton, and Scott Windhauser
Starring: Maggie Grace, and Toby Kebbell
Release Date: 3/9/2018
Running Time: 100 minutes

Official Site
IMDb

What did you think of this film?
A crew of thieves plans the ultimate heist, to steal $600 million from the U.S. Treasury facility located on the Gulf Coast of Alabama using a hurricane as their cover. When the storm blows up into a lethal CATEGORY 5 hurricane and their well-made plans go awry, they find themselves needing a vault code known only by one female Treasury agent, a need that turns murderous. But the Treasury agent has picked up an unlikely ally, a meteorologist terrified of hurricanes but determined to save his estranged brother kidnapped by the thieves. He uses his knowledge of the storm as a weapon to defeat the bad guys in this non-stop action/thriller.


Are There Any Extras During The Credits? No

Are There Any Extras After The Credits? No

Special thanks to Brenton for this submission


Ben-Hur (2016)

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Title: Ben-Hur
Rating: PG-13
Directed by: Timur Bekmambetov
Written by: Keith R. Clarke and John Ridley
Based on the novel by: Lew Wallace
Starring: Jack Huston, Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi, Ayelet Zurer, Pilou Asbæk, Sofia Black-D’Elia and Morgan Freeman
Release Date: 8/19/2016
Running Time: 124 minutes

Official Site
IMDb

BEN-HUR is the epic story of Judah Ben-Hur (Jack Huston), a prince falsely accused of treason by his adopted brother Messala (Toby Kebbell), an officer in the Roman army. Stripped of his title, separated from his family and the woman he loves (Nazanin Boniadi), Judah is forced into slavery. After years at sea, Judah returns to his homeland to seek revenge, but finds redemption.


What did you think of this film?

During Credits? No

After Credits? No

Note: The start of the credits shows the various names traveling around a track like in the chariot race scene.

[wpolling_archive id=”97″ vote=”true” type=”open”]


Warcraft (2016)

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Title: Warcraft
Rating: PG-13
Directed by: Duncan Jones
Written by: Duncan Jones and Charles Leavitt
Starring: Travis Fimmel, Paula Patton, Ben Foster, Dominic Cooper, Toby Kebbell, Ben Schnetzer, Rob Kazinsky and Daniel Wu
Release Date: 6/10/2016
Running Time: 123 minutes

Official Site
IMDb

The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: Orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people and their home.

So begins a spectacular saga of power and sacrifice in which war has many faces, and everyone fights for something.


What did you think of this film?

During Credits? No

After Credits? No

Note: After the title card that reads “Warcraft.”, there is a scene where Durotan’s baby drifts down the river and is found by humans.

[wpolling_archive id=”86″ vote=”true” type=”open”]


Fantastic Four Review – .5 out of 5 Stars

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When I finished watching The Fantastic Four, I thought it was terrible but I didn’t really have the strong hatred others had for it. I left the movie feeling numb and willing to give this movie a solid one out of five stars without thinking of it anymore after this. And then, I approached the writing process for this movie and I hit a roadblock. Of the 3 previous times I’ve tried writing this review, each time I’ve ended up transforming it into a giant rant about a specific area. It’s not just that it’s a rant about the entire film, each time for this I have stumbled upon a new tiny aspect of the film that is so shockingly terrible that I had to write a thousand word explaining what is so wrong about it. It was in having to explain this movie that I realized that there is not a single thing about The Fantastic Four thematically or technically that doesn’t either feel pathetic or a part of an absolute disaster. For my money, this will be the worst movie of 2015 that I’ve paid money to go see in a theater. Paper Towns at least had a few, tiny areas that you could not so much appreciate but you could deal with. Focus at least had the charm of Will Smith. There is nothing I’ve seen this year that has had so much wrong with it in comparison to this dead on arrival visit to the cinema.

The “story” is a mess, but to put it into a brief amount of words, a group of young adults including Reed Richards (Miles Teller) and his friend Ben (Jamie Bell), along with Sue (Kate Mara) and her brother Johnny (Michael B. Jordan) create this machine than transports them to another dimension. In this new world, they receive new powers and must face up against an old colleague gone rogue named Doom (Toby Kebbell).

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What is there to be said about this films story? The pacing for the movie is terrible in every meaning of the word. The movie rushes over so many areas that it never really feels like you’re watching an actual film. The actions of the characters are so poorly explained because the movie has no problem skipping over things that would give development to people or any build up as to why something is going on. It’s like The Fantastic Four was a mediocre CBS show that went for ten episodes that someone decided to cut together as an hour and 40 minute movie. There are so many elements here that either aren’t there or feel rushed. You can’t help but wonder if someone, anyone looked at the pieces and actually wondered how they would fit together before they just decided to glue them together haphazardly. That’s what this seems to be, it’s already terrible clips thrown together like a Malick movie in the hopes of producing a story, like a drunk kids half-assed attempt to throw a dart at the center of a dart board. One moment Reed is in some science fair for his…high school maybe? The next, he’s working at some institute for smart young minds. There’s a possible love triangle between Doom, Reed and Sue but you can’t really tell, it’s probably explained better in the TV show they grabbed these scenes out of.

I haven’t even gotten to the cruel and shallow way this flick used the time jump. There is a moment where the gang gets there super powers and they are locked up because of it. This should be the part where we would see them adapting to having new powers or fighting back against the people keeping them locked up. Well, right after they get their powers, we cut to one year later. In one years’ time, we see that characters have changed a lot since we last saw them. Ben has become a weapon for the army and Johnny has gone from being a rebel to this super patriotic guy trying to help the army. Reed is also doing some random science crap in the woods or something but that’s never fully explained or returned to the surface after they show it. It would be like if Iron Man cut out all the scenes where Tony Stark was in the cave or if The Dark Knight Rises cut out all the scenes where Bruce Wayne was exiled from Gotham. There a gigantic chunk of this movie where the audience is supposed to watch their characters change that is just…gone. I look at this and see a solid 30 to 40 minutes of important development that the movie cut out. There are some shows and movies that can use a time jump effectively like Vertigo or Fargo but here it feels like a get out of jail free card for its writers so that they don’t have to work overtime to make sure there movie isn’t borderline unwatchable. This is an example of laziness to the tenth degree. There’s no reason I can think of for them to want to do this other than to further its audience from feeling like they have to care about the transition of our supposed heroes.

And yet, somehow none of that even matches what the film does for its finale. I should first explain maybe the only positive thing in the film, Victor Von Doom. Doom seems like the only person who is sympathetic or even seems like remotely a real person. He’s the stereotype of the lonely intelligent weirdo, but at least that’s better than nothing. On the planet, they accidently leave Doom behind. One year later, he comes back as a goofy, poorly designed bad guy out of a stock Saturday morning cartoon. Of all of the characters, his transition after one year feels the cheapest and most offensively lazy.

Anyways, he shows up in the last 15 minutes and without any real explanation he just wants to destroy the world. In the course of 15 minutes or so, they introduce, fight and kill off their most famous villain. There’s no momentum and then there’s just nothing, the finale is that. The movie suddenly remembers near the end that it’s a superhero movie and it tries to cram all of this stuff in the hopes of wiping clean what you’ve actually been watching for the past hour. Everything from the way it shows characters arcs to the way they explain motives is sloppy. I have no idea how much of this is Josh Trank’s fault or the studios fault but in the end it doesn’t really matter, this is one of the worst stories I’ve ever seen played out on screen and what it does in terms of building and concluding storylines and coming together with something remotely satisfying has no bounds in how awful it is.

And even if the story did make any sense, it sure as hell doesn’t make up for all the other terrible things about it. The characters aren’t helped by dialogue that would seem dead on an ABC sitcom. This movies attempt at humor and charm are so uncomfortably terrible that it bounces back and becomes funny again. Michael B. Jordan has the worst of it as he has to add dimension to such Oscar worthy lines as “that’s what I’m talking about”. It’s the kind of wit that’s created by a sweaty, underpaid team of writers just trying to add something, anything to this story that’s clearly been lost. Besides the comedic angle, all of the lines from the villain and the hero feel copied from far more original superhero films. Every quote you can find from Dr. Doom is exactly like every other clichéd super villain. When the movie needs to pad out its running time, it brings out the overused speech about great responsibility with great power or whatever. Nothing that comes out of a characters mouth in this movie ever comes from a place of sincerity, it all feels fake and manufactured to look exactly like everything else. There is nothing about this movies screenplay that isn’t totally artificial.

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Lastly, the film is technically garbage. With a budget as high as this one, you at least expect to see some visual effects with some high quality. Exodus: Gods and Kings was a terrible film, it at least had some impressive visual effects. This movie makes the CGI in early 00’s action films look decent. Every fight scene with Reed Richards stretching his body is laughably fake looking. It doesn’t look realistic; it looks like it was taken from a low budget 90’s animated movie that tried miserably to use 3D animation. As I mentioned earlier, the design for the new Dr. Doom makes the early 00’s Dr. Doom look intimidating. The Dr. Doom in this movie is so poor that you could honestly convince me that it’s actually from the cheap rip off version of The Fantastic Four, The Fabulous Give perhaps. The music for this movie is just like the music from every other dry, bland action movie. The new world they find is void of any imagination and looks just like every other vague new planet. The entire movie looks like it was shot through a dark blue glass so it could look super serious and grim. Even with a great cast and a director who’s done good work in the past, there is not a single compliment I can give this movie.

Taking the time to write about this film was an awful, long exhausting experience and the same can be said about watching The Fantastic Four. I don’t even want to give this movie half a star, I can’t think of a thing I enjoyed about this film. The story, the characters, the comedy, the effects, the performances, the ideas, the editing and the music are all garbage. The Fantastic Four is a terrible movie and it gets the honor of being one of the lowest ratings I’ve ever given for a film on my site.

Rating:[star rating=”.5″ numeric=”yes”]

Review by: Ryan M.

Release Date: 8/7/2015

Rating: PG-13

Cast: Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell and Toby Kebbell

Directed by: Josh Trank

Screenplay by: Jeremy Slater, Simon Kinberg and Josh Trank

Based on the Comic Book by: Stan Lee and Jack Kirby

Dawn of the Planet of the Apes Review – 3 1/2 out of 5 stars

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Dawn of the Planet of the Apes leaves off many years after the events of Rise of the Planet of the Apes. Most people have been killed off after a deadly virus and the only people still alive are those who were immune. The civilization of the apes on the other hand has taken off and they have been building a new era. Caesar (the main ape from the first movie) is now the leader of the civilization of the apes and must do what best for everyone. After the two groups meet up, crueler members of the apes try to conquer the people and a battle occurs.

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Rise of the Planet of the Apes was an entertaining movie as I last remember it. I thought the acting was impressive especially from John Lithgow and I was on board with Andy Serkis receiving an academy award nomination for his CGI work as Caesar. The animal arc was definitely more interesting than the human arc but I still thought it was a fun blockbuster that had more brains than the average action movie.

With the first movie, it had this huge sense of revolution. This isn’t something against it but the film had very little thought for the future of the apes and mainly aimed at giving you the start of something different in our world. By the end of the first movie, the people are about to unleash the virus that will kill them all and the apes are escaping into the forest. Characters are too worried about the present for them to consider any of the problems they could have in creating the politics and rules of their new world.

What I respect about Dawn of the Planet of the Apes and what for me brings the film above average is how effectively the apes are presented as the villain of this story. The apes in this movie have gotten over the rush of the first movie and now Caesar has to make decisions that will affect the lives of his citizens. Throughout the movie, you get to see the laws he created fall apart and we watch as the civilization he has created becomes open to corruption and savageness (everything Caesar rebelled against in the first place). Many could see this film as your average Romeo and Juliet story about two opposite learning to get along but this movie goes far beyond that mostly because of what the movie does after the 2nd half. The apes are the clear ones who are evil and violent in this movie; they come dangerously close to killing all of the humans by the end. Caesar must come to terms with his flawed system which he created and it is up to him to accept the consequences for its failure.

The themes of the movie are ultimately rather bleak and there is no happy ending where everyone gets along. Dawn of the Planet of the Apes doesn’t feature simple answers for evil like other blockbusters where villains create destruction for the sake of needing an antagonist. Evil and corruption is something that exists in all species and it is rarely in black and white. All terrible acts are brought out of good intentions. In this case, the antagonist Koba does the sadistic things that he does because of torture he received from lab experimentation. The apes of the huge army Koba forms to imprison the humans only do what they do out of protection for their family and for themselves. In this way, there are aspects of this that have led to acts of horror throughout all of human history. Mob mentality can kick in for anyone as is seen by the final acts here. The core theme for the movie is that every system is imperfect and can make way for terrible events. Dawn offers audiences the rare chance this summer to understand the motives of the villains all while being horrified by their grotesque actions at the same time.

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The buzz of the visual effects from back when they were new and groundbreaking has died off and there seems to be less of a campaign to see Andy Serkis get a nomination for playing Caesar this time around. Nonetheless, the visual effects are still quite ambitious and Andy Serkis continues to give a very emotional performance even if it isn’t as breathtaking and new as when he was playing Caesar in Rise. If there is one actor who deserves credits in this area it is Toby Kebbell who played the villain Koba. The great cgi and the intensity that he used to bring to life the character made for easily one of the most memorable and unnerving villains so far this year. From the facial expressions alone, you got this portrayal of a completely ugly sadist, yet one who you can understand where they come from at the same time. This has little to do with the actor but the shot of Koba with the gun pointed towards the camera makes for an unforgettable image of hate and violence that sums up the storyline. The apocalyptic world itself seems interesting and it’s realistic enough for the setting the movie is trying to create. The great visual effects are made even better from excellent cgi performances.

There is one large error in the film and that is the representation of the people. In the previous movie, it felt like they at least tried to make the human characters interesting even if they were second to the apes. In this movie, they don’t make any effort to make the humans at all compelling. They play to the main point of the story but none of the people featured could carry the film on their own. Jason Clarke, Keri Russell and Kodi Smit-McPhee are all capable actors who I’ve seen give great performances but in this movie there stranded because of how bland and two dimensional there characters are. They also tried to throw in a human antagonist with Gary Oldman as the bitter leader of the human community but that storyline felt thrown in and it had no place in the overall concept despite Oldman being really solid throughout. I understand that the apes are the most important area but I think the theme of the movie would’ve been even more successful if they added more depth to humans in this movie and not just made them plot devices.

The humans are really bad in this movie but if you can get beyond that, the areas with the apes makes for a compelling sit. I was impressed with how successfully bleak and gritty this movie was and it was nice to see a summer blockbuster that was focused on heavy ideas rather than brainless action and forced comedic relief. The Dawn of the Planet of the Apes genuinely surprised me in what it chose to tackle and how it presented the troubles a new system can face.

Rating:[star rating=”3.5″ numeric=”yes”]

Review by: Ryan M.

Release Date: 4/4/2014

Rating: PG-13

Cast: Gary Oldman, Keri Russell, Andy Serkis, Jason Clarke, Toby Kebbell and Kodi Smit-McPhee

Directed by: Matt Reeves

Written by: Mark Bomback, Rick Jaffa and Amanda Silver

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