Thursday, April 9, 2026

Chris

Remaining, The (2014)

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TITLE: The Remaining

RELEASE DATE: 9/5/2014

RATING: PG-13

Friends gather at a wedding, but the celebration is shattered by terrifying apocalyptic events forcing them to examine life, love and faith as they must choose between redemption and survival.

What did you think of this film?


Official Site

Amazon

IMDb


During Credits? No

After Credits? No

Wetlands (2013)*

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TITLE: Wetlands (aka. Feuchtgebiete)

RELEASE DATE: 9/5/2014

RATING: NR

The adventures of an eccentric girl who has strange attitudes towards hygiene and sexuality longs for the reunion of her divorced parents.

What did you think of this film?


Amazon

IMDb


During Credits? Yes

during the credits
We see some pictures of Corinna’s new baby.

 

After Credits? No

Is this stinger worth waiting around for? NoYes (No Ratings Yet)
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Kundo: Age of the Rampant (2014)

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TITLE: Kundo: Age of the Rampant

RELEASE DATE: 7/23/2014

RATING: NR

A period action film centered on a militia group who turn against an unjust nobility.

What did you think of this film?


Amazon

IMDb


During Credits? No

After Credits? No

Special thanks to Frank S. for this submission

Calling, The (2014)

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TITLE: The Calling

RELEASE DATE: 8/5/2014

RATING: R

Detective Hazel Micallef hasn’t had much to worry about in the sleepy town of Fort Dundas until a string of gruesome murders in the surrounding countryside brings her face to face with a serial killer driven by a higher calling.

What did you think of this film?


Amazon

IMDb


During Credits? No

After Credits? No

Special thanks to Frank S. for this submission

Two Faces of January, The (2014)*

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TITLE: The Two Faces of January

RELEASE DATE: 8/28/2014

RATING: PG-13

A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.

What did you think of this film?


Official Site

Amazon

IMDb


During Credits? Yes

during the credits
We see a continuation of the final scene where Rydal walks away from the cemetery.

 

After Credits? No

Is this stinger worth waiting around for? NoYes (No Ratings Yet)
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Special thanks to Frank S. for this submission

As Above, So Below Review – 3 out of 5 Stars

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I never expected to see two found footage movies in one summer that pay heavy homage to Spielberg. Earth to Echo pays homage to E.T. and As Above, So Below pays homage to Indiana Jones. That said, I am definitely reviewing the better of the two right now.

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In As Above, So Below, An English explorer (Perdita Weeks) searches the catacombs of Paris in search for a stone with healing powers with the help of a small group. There journey quickly becomes hellish to say the least.

Most of the characters are pretty stereotypical for what type of movie this is trying to be. The lead explorer is thrill seeking and wreckless but intelligent and wise at the same time. Her partner is equally intelligent but is much more prone to being scared. The people they team up with are a rag tag group who are irresponsible and not as smart but do know the catacombs. The dialogue is choppy and hokey and the developments that are supposed to add layers to the characters come off as awkward and unrealistic. However, it’s not like they just picked random people up off the street to play the parts, the actors in this movie do their best with the script they were given and it made the protagonists sympathetic enough to service the kind of movie that this is. Perdita Weeks was a fine enough lead and she shared good chemistry with her other explorer companion played by Ben Feldman. Everyone is doing a solid enough job in a movie that doesn’t really need excellent performances.

This movie does just enough things for me to put it above average. The biggest compliment I have is that I never felt bored when I was watching this. I thought the concept for this was original in a time where most found footage movies either have to do with possession, abduction or monsters. Most of the scares and concepts were things I hadn’t seen before in these kinds of movies. It’s the first time in a while where I can actually say that a found footage movie was unpredictable. There are a ton of original and cool scares, even if many of these don’t add up by the end, I still prefer this to 20 minutes of hyperventilating people running around with their cameras while we wait for an obvious, weak payoff. The obvious inspiration of the Indiana Jones films worked towards the advantage of this because it gave the movie an attention to a very action and fantasy related story. In what other found footage movie are you going to find demon rock monsters come out of a wall and attack the heroes. The movie tried to actually thrill and have fun with its concept as opposed to just giving loud, obnoxious jump scares. I can’t give it away, but the ending is easily the best moment and breaks possibly the hugest criticism most people have with found footage story wise. It’s got clichéd characters but unique plot devices and cool visuals really had me genuinely surprised throughout and it made the movie much more entertaining than it should’ve been.

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There’s not a lot to be said for a movie like this. I have always been one to defend polarizing gimmicks like 3D or in this case Found Footage. Many have no problem passing both off as lazy cash ins and sometimes they happen to be correct (The Devil Inside, Devil’s Due, and Paranormal Activity 4). But like other genres and filmmaking techniques, there are plenty of times where both have shined. I think Cloverfield is absolutely astonishing and The Bay, Paranormal Activity 2 and Grave Encounters are undeniably riveting. I understand the criticisms, but like all things there will be good and bad attempts. As Above, So Below falls a little bit towards the right of the found footage spectrum. It’s not good at writing characters and there are plenty of plot holes, but the movie was well paced, well-acted and it was never boring. If your fan of the genre, you’ll find some entertainment in this. If you don’t like found footage, this won’t do anything to change your opinion. I threw around the term “the kind of that this is” a bit during this review. I had fun with this the same way I would with a cool roller coaster. You know what it is and you know what will generally happen but you can’t help but find yourself getting excited over the various twists and turns it takes. I went along with the ride and I had a visceral good time.

Rating:[star rating=”3″ numeric=”yes”]

Review by: Ryan M.

Release Date: 4/4/2014

Rating: R

Cast: Perdita Weeks, Ben Feldman and Edwin Hodge

Directed by: John Erick Dowdle

Screenplay by: Drew Dowdle and John Erick Dowdle

Sin City: A Dame to Kill For Review – 3.5 out of 5 Stars

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Sin City: A Dame to Kill For is an example of decent disposable entertainment. The movie proves that forgettable popcorn fun doesn’t have to sacrifice effort. This long awaited sequel doesn’t have the same emotional impact as the first movie but its visually stunning, has a great cast and kept me entertained while I was watching it.

A Dame to Kill For has the same narrative structure as the first movie. We get to watch three barely connected stories play out in the corrupt, filthy Basin City. The first storyline takes place after the events of the first film as we see Nancy (Jessica Alba) failing to keep together after the suicide of detective Haritgan (Bruce Willis). She decides to seek vengeance against the corrupt Senator Roarke (Powers Boothe) who drove Haritgan to kill himself. The second storyline follows a gambler named Johnny (Joseph Gordon-Levitt) and the hell that follows after he goes up against Senator Roarke in a game of poker. The third segment taking place before the first film features a private detective (Josh Brolin) who finds himself going up against Ava Lord (Eva Green), a very seductive monster who has no problem destroying people to get what she wants.

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The biggest problem with the movie is that this time around they are embracing the gimmicks of its concept. With the last movie, the style and the noir homage was played against ambitious stories with a unique screenplay. Sin City 2 has the same type of writing and visuals without a lot of the originality and heart that made the first one so memorable. This time they take the beats and use them for simple action thriller purposes. It’s not that this is poorly written, it’s just that the characters are clichéd and the stories are predictable in the way that it is something you would expect to see in a cheap, low budget B movie of the 40’s and 50’s. The dialogue sounds pretty but lacks it a general passion that makes it come off as witty. The movie isn’t taking itself as serious this time around and if you want something that is just as epic you will be pretty disappointed but if you understand that this is a more laid back and pulpy take on the world they created, there are a couple of reasons why you may still enjoy it if you go along with the ride.

The visuals are just as brilliant and unfiltered as they were before. Sin City’s greatest asset is how well the world they create mixes explosive, modern effects with a grimy, 40’s, black and white charm. There are so many stunning shots thanks to director and cinematographer Robert Rodriguez. You could say that the pure, gigantic ambition of the dreamlike setting mixed with breath taking moments of action and energy is what keeps this movie feeling so alive. You can watch this movie and you can see the sheer passion that went into the look of every scene. This movie does have one thing that that is an improvement and that is Rodriguez’s choice to make the movie in 3D. Usually this can come off as an overused and sloppy gimmick but in this case the breathtaking effects fit with the extra layers of 3D like a glove. The movie is already incredible to watch but with this the originality and the undeniable effort leaps off the screen. If one of your problems with 3D is that it makes the screen look dark, have no fear, a lot of this movie is already in black and white already. This very much reminds me of the 3D for Baz Luhrmann’s The Great Gatsby. You’re taking an artist who has always been highly stylized and your letting their visions jump out at you.

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The energy and excitement of the cinematography is enough for me to give this a decent enough rating, but I also found myself really enjoying the performances. Mickey Rourke cherishes every moment he is on screen with his role as Marv, the violent criminal with a heart of gold. Josh Brolin is solid if not exactly doing something that places his character beyond other stock, brooding anti-heroes of recent memory. Eva Green also looks like she’s enjoying herself chewing humongous amounts of scenery while playing the villain part. Joseph Gordon-Levitt definitely gives the most emotional performance out of the cast and the calmness and subtle depth that he brings to Johnny makes it far and away the best segment of the three. I even thought Jessica Alba did ok with the part she was given even if she is a weaker actress. One of the great things that surprised me is that no one in the cast (even Bruce Willis in a small role) seems like they’re doing this as a paycheck, people in the movie are either giving decent performances or having a lot of fun camping up there ridiculous characters. Because of that, the storylines and characters feel less generic and more or less play to the idea of how delightfully entertaining the movie is supposed to be.

The movie fails to deliver on a product that is as powerful as the one that came before it. That being said, Sin City: A Dame to Kill For remains an endlessly stunning film to look at (especially in 3D) and the actors and the writers do a good job making the style and structure pulpier without it feeling lazy. Sin City 2 isn’t something I’m going to remember but it is something I had a shockingly big amount of fun with which is why it is a disappointment to see it failing so miserably at the box office.

Rating:[star rating=”3.5″ numeric=”yes”]

Review by: Ryan M.

Release Date: 4/4/2014

Rating: R

Cast: Jessica Alba, Eva Green, Joseph Gordon-Levitt, Bruce Willis, Mickey Rourke, Rosario Dawson and Josh Brolin

Directed by: Frank Miller and Robert Rodriguez

Written by: Frank Miller

Based on the graphic novel by: Frank Miller

Lighting for Mood: A Film Director’s Cheatsheet

Studio Lighting.

The lead-in music begins, an outline is drawn on the wall, then Alfred Hitchcock’s shadow steps onstage and perfectly fits the outline. So began another episode of “Alfred Hitchcock Presents,” capturing the imagination of prime-time audiences. Even now, Hitchcock’s work is a videographer’s primer in how to use light and shadow to set the mood.

Always remember, lighting not only affects the clarity of your video work but also how it feels.

Light: Which Kind Does the Scene Need?

Richard K. Ferncase’s “Basic Lighting Worktext for Film and Video” (1992) is the book on lighting you are most likely to read at film school. For a deep dive into the topic of lighting, you can do no better than to study Ferncase and work through the exercises given. This article will give you only a taste of a topic you could spend a lifetime investigating.

First and foremost, it all starts with light type and texture. You first need to know what type of light you need. Some common types include:

  • Hard light: Think small, intense, harsh. During the early afternoon, unfiltered by clouds, sunlight throws shadows with sharp, distinct edges. Hard light comes from a single source and travels without angular deflection to the surface. For example, Hitchcock’s shadow was created by hard light. The mood cast by this type of light can range from eerie and hidden to in-your-face and threatening. When using artificial lighting, remember that the smaller the source, the harsher the light will be.
  • Soft light: A beautiful woman in a flowing white dress, she holds a red rose and shakes her long, brown hair as she walks towards her waiting escort. The lighting is gentle and without harsh shadows. This is soft lighting. The moods emphasized with this type of lighting include romantic, seductive, non-threatening and comfortable. Remember, the larger and more diverse the source of light is and the wider the coverage, the softer the light will be. Soft light arrives from a variety of angles and can seem more natural than hard light. But, be careful about depending too much on soft light because it can get wearing on your audience, if not interrupted by hard light scenes to wake them up.
  • Combination light: Typically, you will work with lighting that lies somewhere in the range between hard and soft. When setting up the scene, try moving the lights around to see how it affects the mood. When shooting outside, you can move from direct light to shade. Inside, you can switch the size of the lamps and the diffusion to adjust mood. Shades, drapes or blinds might also be helpful inside to help lighten, darken or provide mixed light to the scene. Your inner artist will be able to feel the mood as it changes, so trust your instinct.

Use Color to Set the Mood

Videographers have special tricks in the tool bag. One of those is a knowledge of how color affects the psyche. To excel as a film director, you must not only be an artist but a psychologist.

As the artist carefully chooses from the palette to get just the right combination of colors, so the film director can influence the mood by adjusting the light color as well as the set and costume color. If you don’t see how color can affect mood, just think about our language—we see red when we’re angry, sometimes we become green with envy and occasionally we feel blue. Colors are powerful triggers and have a dramatic influence on mood.

Many medical professionals study color and often advise patients to make adjustments in their living spaces to better facilitate desired moods. Color consultant Leslie Harrington explains, “What color you paint your walls isn’t just a matter of aesthetics. It’s a tool that can be leveraged to affect emotions and behavior.”

If you are serious about film, you should study the technical aspects. Find out all you can about cameras, lights and the array of tools at your disposal. Then, film with your heart and see with your emotions, for your viewers are hoping to not only view your film but to experience it.

Guest article

One Wild Ride: The “Sons of Anarchy” Craze Continues

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You hear the engines roar before you see them coming. A group of headlights pierce through the dark night as a gang of men on motorcycles races toward you. Faithful followers of the FX show “Sons of Anarchy” are more than familiar with this scene. Sex, drugs, violence, betrayal and drama have been the winning combination for SOA for the past six years. And with “Sons of Anarchy” returning Sept. 9 for its highly anticipated final season, there’s still time for one last ride.

The Rise of SOA’s Leading Characters

The show centers around the SOA Motorcycle Club; A club rife with drama between rival gangs, illegal activities and twisted familial relationships. Jax Teller is the key protagonist of this rowdy and wild Kurt Sutter creation. Jax is a fan favorite who is often found struggling between following the right path or the dark one. Along with Jax, Sutter has created an entire cast of characters audiences are naturally drawn to. There are heroes and villains, with new characters each season to add a new layer to the mix. We root for Jax, feel sympathy for Tara and hope for the demise of anybody getting in Jax’s way.

The Real Stars of the Show

But the show is about the motorcycle club, and the motorcycles themselves are their own characters. The men are always seen riding or fixing their bikes. The characters care about their bikes; it’s sacrilegious to mess with another man’s bike, and doing so is a punishable offense. Prominently featured in chase scenes and rides, these bikes are representative of strength, power and masculinity. Actor Charlie Hunnam (Jax) even rides a motorcycle in his everyday life. SOA is creating an image and persona associated with motorcycles that fans want to be a part of.

A Growing Motorcycle Community

“Sons of Anarchy” continues to get people talking about and riding motorcycles. Shining a light on a lesser-known community, the show has helped motorcycles gain popularity with even the mainstream. Fan websites have pages dedicated to the motorcycles on the show. “Sons of Anarchy” is so popular, FX made a deal with Harley-Davidson to create limited edition motorcycles inspired by the show. Not ready for a life-size bike? You can even get die-cast models of the motorcycles ridden by Jax, Opie, Clay and JT.

Motorcycle sales and registrations have increased 75 percent overall in the past 10 years, according to the US Department of Transportation. More and more people are trading in their four doors for quicker, more fuel efficient motorcycles. But, not all of us can be in hardcore biker gangs like the boys of SOA. If you’re interested in learning more about the biker lifestyle, visit Bike Bandit’s online community page. There you can learn about different models and brands, safety tips, proper motorcycle maintenance and you can even see what other people are doing with their motorcycles. It’s a great resource for riders and biker fans alike.

Guest article

As Above, So Below (2014)*

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TITLE: As Above, So Below

RELEASE DATE: 8/29/2014

RATING: R

When a team of explorers ventures into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.

What did you think of this film?


Official Site

Amazon

IMDb


During Credits? Yes

during the credits
Toward the end of the credits we hear La Taupe say “The only way out is down.”

 

After Credits? No

Is this stinger worth waiting around for? NoYes (No Ratings Yet)
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